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← The four housesfarmhouse · The Hida basin — Furukawa, Kamioka, and the valleys above them

Nōka

One room around a fire, and an earth floor you could work in.

A traditional farmhouse in a Hida valley: a long low building under a very deep hipped-gable thatched roof, pale earth-plaster walls with dark timber posts, terraced rice fields in front and cedar-forested mountains behind.

The default house of rural Japan, and the one the other three are variations on. A nōka is organised entirely around two things: the earth floor where the work happened, and the fire the family sat around when it stopped.

Typical size
4 × 6 ken · 24 tsubo
Kōbai
10 sun · 45°
Roof
Kaya thatch, irimoya (hipped-gable)
Thatch depth
18 sun · 550 mm
Re-thatch cycle
30 – 40 years, smoked
Walls
Earth plaster over bamboo lath

Nōka 農家 · 4×6 間 · Inakama 4 間 · 7.27 m 19.92 尺 10 10 A—A 断面 · SECTION 土間 床の間 A A 6 間 平面 · PLAN 2 間 · 3.64 m 1:120
A typical Nōka at 4 × 6 ken on the Inakama module — 24 tsubo, 10 sun kōbai, ridge 19.9 shaku.
The drawing · 図面

Section and plan.

Drawn from the same model that runs Sumitsuke, at the size this house is usually built. Open it there and the bays, the site exposure, the earth floor, and the module all become yours to set.

Open this house in Sumitsuke

01

The plan is a working plan

A nōka of any size divides into a doma and a raised floor, and the ratio between them tells you what the household actually did. A silk-raising house needs less earth floor and more storey; a rice household needs a doma big enough to thresh in. In the Hida basin the common arrangement is the yomadori — four rooms in a two-by-two block on the raised side, with the doma running across the front.

The four rooms are not equal. The one nearest the doma, with the irori in it, is the room the family lives in. Behind it are the zashiki, the formal room with the tokonoma, and the sleeping rooms. Depth equals privacy, and the fusuma between them come out entirely when the house needs to be one hall.


02

The roof is hipped, and that is a compromise

Most Hida nōka carry an irimoya roof — hipped at the bottom, gabled at the top. The gable gives the attic a vent for the hearth smoke to leave by; the hips shed weather off the corners where a pure gable would let it in. A 10-sun kōbai, about forty-five degrees, is the working figure: steep enough to shed rain fast, shallow enough that a thatcher can stand on it.

Under the thatch the frame is not fastened to the roof. The kaya sits on a lattice of bamboo and pole, tied, and can be stripped and replaced without touching a joint of the structure below it. A roof is a consumable. The house is not.


03

What we do to them

Most of our nōka work is revival: a house that has stood empty for fifteen or twenty years, with the fire out. The order is almost always the same — get the roof watertight, get a fire lit, then take a year to find out what the frame has actually lost before cutting anything.

The commonest failure is not the thatch. It is the sill and the bottom of the posts on the north and west sides, where snow lies against the wall all winter. That is repaired by scarfing in new timber at the foot of the post — a nemaki-tsugi — with the house jacked and standing.



Raise one, move one, or bring one back.

Tell us the site and the weather. We answer every brief, and we will say plainly if we are not the right workshop for it.

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